スウェーデンの老舗名窯が紡いだ 北欧ヴィンテージの逸品
This is a square plate from the classic Silvia series, designed by Rörstrand, a long-established Swedish tableware manufacturer, to commemorate its 250th anniversary. The product's form was designed by Marianne Westman, known for the Mon Ami series, and the violet flower decoration was created by the company's designer, Silvia Leuschowius.
This is the largest square plate in the series. Silvia square plates come in four sizes: 20cm, 28cm, 30cm, and 36cm, and this is the largest, 36cm, plate. It is quite wide and designed for use as a large hors d'oeuvre dish.
The Silvia was released in 1976, the same year as the wedding of Swedish King Carl Gustaf XVI and Queen Silvia Sommerrath. Queen Silvia, a commoner of foreign origin, faced some controversy over her marriage, but Sweden's most iconic artists, such as ABBA, came to her defense. ABBA's hit song "Dancing Queen" was first performed the night before the wedding, and the name "Queen" is said to be a tribute to Queen Silvia. The Silvia-named Rörstrand 250th anniversary model also expresses its intention to welcome the new queen.
Queen Silvia continued her charitable work in the fields of elderly care and child welfare, and is now widely respected by the Swedish people.
The backstamp is engraved with the words "250 ar Jubileumsservis," which means "250th anniversary tableware" in Swedish. The backstamp is more decorative than Rörstrand products, which conveys the special commitment made to the anniversary model.
The Silvia series was developed as a series of tableware including cups, plates, teacups, pitchers, creamers, etc. Made of hard, thin bone china, the beautiful, transparent glaze and patterns, and the refined form are particularly high quality for a Rörstrand product from the 1970s.
It is also worth noting that the Silvia series does not have the strut marks (eye marks) that are common in Scandinavian vintage tableware, indicating that the kiln firing environment was completely renewed for the Silvia series. This is a highly refined and beautiful piece, even among Scandinavian vintage tableware.
■Detailed specifications
Manufacturer: Rorstrand Series: Slyvia Form Design: Marianne Westman Pattern Design: Sylvia Leuchovius Year: 1976-1982 Country of Origin: Sweden Condition: ★★★★☆ (4.5: Excellent condition)
There are faint cutlery marks visible on the surface when held up to the light, but overall it is in near-unused condition with no visible cutlery marks. There is no paint loss, cracks, chips, or crazing, and it is in top condition with the original color and luster still intact.
■Size
Width 23cm, length 36cm, height 3.5cm
Marianne Westman
Marianne Westman ( Marianne Westman, 1928-2017 )
Born in the Dalarna region of central Sweden, known for Dalarna horses. In 1950, at the age of 22, he joined Rorstrand as a designer and remained there for 21 years until 1971. As the company's signboard designer, he has created numerous works and brought the masterpiece Mon Amie series to the world. Monami is a masterpiece of Scandinavian design from the mid-20th century, known as "mid-century," and is still loved around the world, with reprints still being produced . Westman's works are characterized by many designs that are conscious of plants and free-spirited patterns that appear to be drawn freehand.
Sylvia Leuchovius
Silvia Leuchovius ( Sylvia Leuchovius, 1915-2003)
Born in the Småland region of southern Sweden. Originally, he wanted to become a clothing designer and took up a job as a dressmaker, but at the age of 30, after studying art graphics at the Faculty of Fine Arts at the University of Gothenburg in the southwest, he changed his job to Rorstrand. He established himself as a unique artist, setting himself apart from mass production lines by manufacturing ceramic plates and still life paintings in-house. Although he has an unusual background as a designer, it is clear that he was highly regarded within the company, as he was entrusted with the design of Rorstrand's 250th anniversary model. Her ceramic motifs and her university background match those of Lisa Larson, and she has a distinct presence in the Nordic art scene.
