スウェーデンの国民的作家が生んだ 手のひらに宿る北欧の物語
This is a limited series of home objects called the BPA series, created by Sweden's leading ceramic artist Lisa Larson in the 1980s and 1990s. Lisa Larson was employed by Gustavsberg, a long-established Swedish ceramic manufacturer, for many years, but after leaving the company in 1980, she became a freelancer and received design requests from manufacturers around the world.
The BPA series is a series of objects created by Lisa Larson for a Swedish architectural firm. This was produced in 1990 in a limited edition of 80 pieces. This is a replica of a medieval mansion found in the Swedish countryside. This object is one of the rare pieces in the BPA series to appear on the vintage market.
■ Detailed specifications
Designer: Lisa Larson Series name: BPA Year: 1988 Country of origin: Sweden Condition: ★★★★★ (5: Complete)
This is a complete item with no notable damage. It is in perfect condition with no cracks or chips, and has retained the appearance from the time of production. The serial number has been concealed as a consideration for those who collect it. If you would like to know the number, please contact us by email.
■Size
Height 13cm Width 13cm Depth 4.5cm
Lisa Larson
Lisa Larson (1931-2024)
A world-renowned Swedish ceramicist, he was born in Härlunda, a village of about 500 people in the Älmhult district of Kronoberg county in the Småland region in southern Sweden.
As a child, she aspired to be a fashion designer, but after enrolling at the Gothenburg Academy of Art, she studied ceramics. One day, she was discovered by Stig Lindberg at a competition, and after a one-year probationary period, she officially joined Gustavsberg as a designer. Shortly thereafter, in 1955, she released the Lilla Zoo series, and in 1964, she came up with the Afrika series, famous for its lion statues.
Lisa Larson has not only worked for Gustavsberg, but has also provided designs for Höganäs, the major domestic retailer Åhléns, and the German ceramic manufacturer Rosenthal. After leaving Gustavsberg in 1979, she became a freelance artist, working on a voluntary basis with companies, rather than as an exclusive contractor, and continued to work freely in various fields. In 1979 and 1981, she held solo exhibitions at Seibu Department Store in Tokyo, and the 1981 exhibition was visited by a total of 70,000 people.
